Sunday, 12 January 2014
Life of Brian: Samuel L Jackson
Life of Brian: Samuel L Jackson: I always begin new projects with the most difficult of subjects. Portraiture must be the hardest discipline to get right in digital art. I...
Samuel L Jackson
I always begin new projects with the most difficult of subjects. Portraiture must be the hardest discipline to get right in digital art. I loaded up my iPad with the Brushes app over a year ago, but I ignored it for a long time. I have only really specialised in portraits of some form or another, so it was only natural that I was drawn to painting the human face when I began to use the app seriously.
I am learning new things all the time, although the "layer" thing still confuses me a little. I did try and paint in multi-layers for a few portraits, but I got frustrated when I forgot which layer has which. If you try and paint in an area on the wrong layer, it doesn't work very well. My last few portraits have been done on a single layer only.
The two images below show an early stage and completed stage of a Samuel L Jackson portrait that I completed recently. I 'borrowed' the colour tones from the original little thumbnail that was copied into the picture canvas. I then had a palette to work from.
Only three brushes were used. I favour a rough brush that simulates brushstrokes that an oil painting filbert would make. This was used right down to one pixel size. The other brushes were a blending tool to smooth out areas and a special brushes that creates dots across the painting. I used this for painting fhe skin pores.
Hopefully, if you look close enough, you will see the result of all three of these brushes in both the pictures below.
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I am learning new things all the time, although the "layer" thing still confuses me a little. I did try and paint in multi-layers for a few portraits, but I got frustrated when I forgot which layer has which. If you try and paint in an area on the wrong layer, it doesn't work very well. My last few portraits have been done on a single layer only.
The two images below show an early stage and completed stage of a Samuel L Jackson portrait that I completed recently. I 'borrowed' the colour tones from the original little thumbnail that was copied into the picture canvas. I then had a palette to work from.
Only three brushes were used. I favour a rough brush that simulates brushstrokes that an oil painting filbert would make. This was used right down to one pixel size. The other brushes were a blending tool to smooth out areas and a special brushes that creates dots across the painting. I used this for painting fhe skin pores.
Hopefully, if you look close enough, you will see the result of all three of these brushes in both the pictures below.
And her is a youtube video of the final stages . . .
Monday, 6 January 2014
Painting the digital way
A digital painting of Gerard Butler. Painted using my finger on the iPad.
The above photos show my process of working on a typical portrait on the Brushes App on my iPad. It doesn't really differ from painting in oils or acrylics. The main difference is that there is no mud created when applying one colour on top of another. The app provides a wonderful chance to create transparent glazes, although I haven't quite mastered the 'layering' technique that this app offers. The painting above was complete on only one layer. A second layer was added after all the painting was completed. This was just used to enhance the colour.
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